FEAT Updates Name To Focus on Authorised Resale

Following the organisation’s decision last October to focus on promoter-authorised resale, FEAT has updated its name to the Fully-authorised European Alliance for Ticketing. 

Founded in 2019 as the Face-value European Alliance for Ticketing, the organisation is evolving to meet a more complex resale landscape. Unlike unauthorised websites, promoter-authorised systems ensure that purchasers of resale tickets for events are guaranteed entry. The promoter-authorised resale process involves the cancellation of the original ticket and the reissuance of a unique barcode to the new purchaser. 

Consumers pay the price when resale happens via unauthorised third-party sites. In October 2025, over 1,700 fraudulent “resale” tickets were offered for Radiohead’s European tour before the general sale had even commenced. Similarly, German fans were turned away from several Florence + The Machine concerts earlier this year after purchasing fake or duplicated tickets from third-party sites. 

Founding Director of FEAT, Neo Sala (CEO of Doctor Music) said: “In late 2022, a Spanish court convicted a fraudster of ‘reselling’ two tickets for a U2 concert in Madrid up to 65 times. They were ‘resold’ copies of the same barcode on several unauthorised sites. This scam demonstrates exactly why we need secure, official resale platforms. They are the only ones that can guarantee legitimate tickets”.

Florence + The Machine German tour targeted by unauthorised traders at expense of fans

Following the conclusion of Florence + The Machine’s “Everybody Scream” tour dates in Europe, an analysis by promoters MCT-Agentur has highlighted the extent of unauthorised ticket resale impacting fans in Germany. 

Despite the tour’s sold-out status and efforts by the promoter to maintain secure, authorised ticketing channels, monitoring of five major unauthorised platforms – Viagogo, Ticombo, SeatsNet, Ticketbande, and Gigsberg – revealed a coordinated effort by resellers to bypass official resale restrictions in Cologne, Munich and Berlin.

Tickets resold on unauthorised websites cause all kinds of problems at venue entrances. Promoter MCT-Agentur told FEAT that a number of fans arrived at the Berlin box office facing issues, ranging from receiving only an order confirmation instead of a ticket to fake tickets and unknown barcodes. Similar problems were also reported in Munich and Cologne regarding fake tickets and tickets that were not sent, resulting in customer complaints that they were unable to get through to customer service.  

Research conducted before the tour identified 2,837 ‘resale’ offers available to purchase across these websites. While the actual number of unique tickets may be slightly lower due to the likelihood of some sellers listing the same inventory across multiple sites, the volume remains significant relative to venue capacity.

MCT-Agentur found that:

  • There were 2,837 unauthorised listings across the three dates, with Munich seeing the highest volume at 1,125 tickets (7.25% of venue capacity), followed by Berlin (893) and Cologne (819).
  • Gigsberg emerged as the unauthorised website with the highest number of tickets available, with resellers offering 1,208 tickets across the three concerts.
  • Tickets were frequently listed at five to ten times their face value, with prices on Ticombo reaching a peak of €1,741 for the Munich performance.
  • On Ticombo, 99% of Cologne listings were priced over €600, with half exceeding €1,000. Significantly, every listing for the Cologne date originated from a single company, evidence of commercial-scale harvesting rather than fan-to-fan resale.

MCT Agentur said: “We have once again found that fans do not distinguish between buying tickets on the primary or secondary market. The resulting damage to reputation affects not only the promoters but also the artists. We urgently need a law to curb the scalping of tickets in Germany.”

Rammstein’s EU tours – ticket personalisation in the fight against unauthorised resale

New data from German metal band Rammstein’s 2023 and 2024 European stadium tours has highlighted the intensive efforts undertaken by the band and their team to keep tickets in the hands of genuine fans. 

Working closely with promoter MCT-Agentur, Rammstein implemented a ‘hard personalisation’ policy to protect their audience. To prevent professional scalpers and automated bots from harvesting huge amounts of inventory for resale, tickets were sold under terms and conditions which legally bound each ticket to the named buyer. Any ticket identified as being resold via an unauthorised third-party website was in direct violation of these terms. These tickets were cancelled – not to penalise fans, but to strip away the incentive for unauthorised websites to offer tickets to the concerts. 

The process involved a rigorous cycle of data monitoring and the proactive cancellation of suspicious purchase orders before the tour began. On the nights of the shows, MCT operated dedicated troubleshooting desks to support fans who arrived with these cancelled tickets. Rather than simply being turned away, fans were given a clear explanation of why their ticket was invalid and provided with the necessary documentation to help them claim a refund from the third-party site that had misled them.

The scale of this operation was significant. In 2023, seven concerts were monitored with 706 tickets cancelled. This rose to 1,465 tickets across twelve shows in 2024. Unauthorised resale website Viagogo was identified as the primary source of the problem, accounting for around 60% of all cancelled tickets, while roughly 100 fans across the dates arrived with entirely fake or duplicated barcodes. 

Despite the larger number of unauthorised resale tickets identified for the 2024 tour, the data suggests that these preventative measures are working. Between 2023 and 2024, a clear shift in reseller behaviour was observed as ticket scalpers were forced to adapt to MCT’s efforts. Bulk purchases were noted to have largely disappeared, a regular occurrence for previous tours, with resellers limiting themselves to just two or three tickets per identity and using plausible email addresses that mimic genuine fans. It was also observed that far fewer Facebook groups associated with fake or fraudulent tickets appeared. 

MCT Agentur commented: “Rammstein and MCT invested significant resources to ensure that tickets were not scalped. While personalisation was a successful deterrent after action over the course of several tours, most artists simply don’t have the resources to police their concerts to this extent. We need regulation that prevents these sites from hosting unauthorised listings in the first place, rather than leaving the industry to fight it, or simply accept it at the expense of fans”.

FEAT unveils consumer initiative at 2022 general meeting in Barcelona

On Thursday 20th October, FEAT met at Alkimia in Barcelona for its first in-person general meeting since the pandemic.

The meeting saw members agree to continue campaigning for a Europe-wide ban on ticket resale above face-value, as the Board refocused its priorities after the past year’s successful campaign for tougher regulation of marketplaces in the EU’s Digital Services Act.

FEAT also unveiled plans for an international consumer awareness initiative geared at educating fans on the risks of buying tickets from uncapped secondary ticketing sites. The messaging and strategy is currently in development, with FEAT facilitating a working group made up of organisations across Europe, including BDKV, the European Music Managers Alliance, the European Arenas Association, FanFair Alliance, FRC and Pearle* – Live Performance Europe. The initiative was first mooted at this year’s ILMC. 

The organisation meanwhile welcomed new members Chris Ortiz, Director of Cordova-based Riff Producciones, and Iñigo Argomaniz, CEO of Get In, based in San Sebastián. 

FEAT director Neo Sala, founder and CEO of Doctor Music, who hosted the meeting, said: “It’s great to finally meet again in person and welcome more new faces among us. There’s a renewed energy to tackle touting, and we have been invigorated by positive changes in national and EU legislation over the last year – demonstrated not least in MCT-Agentur and Rammstein’s recent injunction against Viagogo in Germany.


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