Following the conclusion of Florence + The Machine’s “Everybody Scream” tour dates in Europe, an analysis by promoters MCT-Agentur has highlighted the extent of unauthorised ticket resale impacting fans in Germany.
Despite the tour’s sold-out status and efforts by the promoter to maintain secure, authorised ticketing channels, monitoring of five major unauthorised platforms – Viagogo, Ticombo, SeatsNet, Ticketbande, and Gigsberg – revealed a coordinated effort by resellers to bypass official resale restrictions in Cologne, Munich and Berlin.
Tickets resold on unauthorised websites cause all kinds of problems at venue entrances. Promoter MCT-Agentur told FEAT that a number of fans arrived at the Berlin box office facing issues, ranging from receiving only an order confirmation instead of a ticket to fake tickets and unknown barcodes. Similar problems were also reported in Munich and Cologne regarding fake tickets and tickets that were not sent, resulting in customer complaints that they were unable to get through to customer service.
Research conducted before the tour identified 2,837 ‘resale’ offers available to purchase across these websites. While the actual number of unique tickets may be slightly lower due to the likelihood of some sellers listing the same inventory across multiple sites, the volume remains significant relative to venue capacity.
MCT-Agentur found that:
- There were 2,837 unauthorised listings across the three dates, with Munich seeing the highest volume at 1,125 tickets (7.25% of venue capacity), followed by Berlin (893) and Cologne (819).
- Gigsberg emerged as the unauthorised website with the highest number of tickets available, with resellers offering 1,208 tickets across the three concerts.
- Tickets were frequently listed at five to ten times their face value, with prices on Ticombo reaching a peak of €1,741 for the Munich performance.
- On Ticombo, 99% of Cologne listings were priced over €600, with half exceeding €1,000. Significantly, every listing for the Cologne date originated from a single company, evidence of commercial-scale harvesting rather than fan-to-fan resale.
MCT Agentur said: “We have once again found that fans do not distinguish between buying tickets on the primary or secondary market. The resulting damage to reputation affects not only the promoters but also the artists. We urgently need a law to curb the scalping of tickets in Germany.”
